Tuesday, October 15, 2013

Common Practices

At their core, libraries, archives, and museums have education as a primary mission.  Historically, they are all places where patrons can go to educate themselves.  If we look at mission statements from each of these institutions we can see this.  The Boston Public Library states that their “mission is to preserve and provide access to historical records of our society, and to serve the cultural, educational, and informational needs of the people of the City and the Commonwealth.”[i]  The Massachusetts Historical Society states in their mission that they are “an independent research library that collects, preserves, makes accessible, and communicates manuscripts and other materials in order to promote the study of the history of Massachusetts and the nation.”[ii]  The Museum of Fine Arts has in their mission statement that it is a “place in which to see and to learn” and its “ultimate aim is to encourage inquiry and to heighten public understanding and appreciation of the visual world.”[iii]  The mission statements of the BPL and the MHS directly talk about access while the MFA only hints at it.  They all have something about education or learning in their mission.  They teach patrons by providing access to their collections.  A common practice to provide this access is by description.  But the descriptive standards used vary by the type of institution.

In a library a patron goes to look up information, the library providing the most unbiased access to information as possible.  An archive is similar to a library, an individual will go to an archive to look up information.  A museum on the other hand, presents information to the patron that has been curated.  In this sense, libraries and archives have traditionally had patrons as users while museums have traditionally had patrons as viewers.  The consequence of this is the differences in the way things have been presented and described for the patron.  Museums traditionally provide the information and interpretation on objects.  Libraries intentionally stay away from this interpretative information.  Archives will provide only enough information for a user to discover the material.[iv]  But all these institutions now have collections that could belong in any of these institutions.  The line of distinction between LAMs is blurring.  With that, the expectation from patrons is changing.  They expect a similarity in how they can discover information at each of these institutions.

This is especially the case with online content.  On the web, people expect a Google-like experience.  It is expected to have a single search box option at an institution for their whole collection.  At a museum’s website people want to be able to search their holdings themselves.  It is no longer the traditional presentation of information from a museum.  And at libraries and archives, there are more collections being presented online.  Museums now have users in addition to viewers; and archives and libraries now have viewers in addition to users.  We can see this in the physical institutions as well.  Libraries and archives will often have exhibitions.  Museums will have interactive learning stations and books available for patrons to explore more on their own.

I particularly thought the example from the Morgan Library and Museum to be an interesting experience in merging the different collections as they created an online catalog.  I think the Morgan is typical of many cultural institutions.  Before the online catalog, individual departments created their own records of their holdings and it resulted in varied descriptive practice throughout the Morgan.[v]  I found this interesting because description for different types of objects was mainly a result of the different purpose of description.  Curators described things so that they can find the object or for an exhibit.  Initially museum collections did not have the open access that libraries have traditionally had.  They did not create records so that anyone could search their collection.  Records were created for the curators.  But with online content, there is a necessity and expectation for information to be shareable.  There are metadata standards and schema that allows for this sharing of records.  But these standards and schema vary across LAMs.    

From the readings on the Morgan and others, it can be concluded that a metadata schema can be adapted for varied collections.  Diverse collections within a single institution will likely need to use one standard and one metadata schema to unite their collection descriptions. It could be jarring for an individual to be searching online on the same website and there are differences in how a record is presented and the content within it.  The reason we create records on the resources libraries, archives, and museums is for people to discover information.  We should make this process as simple as possible.

I searched on the Morgan website and it was convenient to have one database to search their holdings.  I know that there seemed to be a lot of compromise from the article and it is possible that not everyone was happy, but I think the end result is promising.  I also looked at The Huntington Library’s website.  This institution also has a wide variety of objects in their collection, but you have to search the library holdings separately from the art collection.  So if I wanted to see all their materials by William Blake, I need to complete two separate searches.  And the type of information found in the records is very different. 

Library record of book with illustrations by William Blake[vi]


Art Collection record of engraving by William Blake[vii]

As these images illustrate, the information presented is different and the display of it is different.  It is difficult to even know that these are held in the same institution.  If individual institutions cannot collaborate to create a single interface for their collection, how will outside institutions be able to work together successfully?

It is possible for collaboration and convergence.  We saw examples of success with a few case studies.  However, we have also looked at instances where the project fell apart or was not sustained.  I believe there is higher chance of success if we begin at the institution level.  Once institutions with variety of collections can converge, then it will be easier to have collaboration with outside institutions.  I believe there is a better chance today because education is changing for professionals.  It will soon be the norm to work with different institutions.  People coming into these fields are more comfortable with collaborating.[viii]  Learning about the different processes of our common practices of description will enable all LAMs to better serve our communities of users and viewers.



[i] Boston Public Library, Mission Statement, http://www.bpl.org/general/trustees/mission.htm
[ii] Massachusetts Historical Society, Mission and Vision Statements, http://www.masshist.org/mission
[iii] Museum of Fine Arts, Boston, Mission Statement, http://www.mfa.org/about/mission-statement
[iv] Elizabeth Shepherd and Rachael Pringle, “Mapping Descriptive Standards Across Domains: A comparison of ISAD)G) and SPECTRUM,” Journal of the Society of Archivists 23(2002): 30.
[v] Murtha Baca and Elizabeth O’Keefe, “Sharing Standards and Expertise in the Early 21st Century: Moving Toward a Collaborative, ‘Cross-community’ Model for Metadata Creation,” Int Cat Bibliogr Control 34 (2009): 61.
[viii] Wendy Duff, et al., “The Changing Museum Environment in North America and the Impact of Technology on Museum Work,” Cultural Heritage on line (2009): 7.

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